How to Take a Photo of a Really Big Group

How to Take a Photo of a Really Big Group

by ERIN on MAY 21, 2013

I follow a few photography blogs and newsletters. I really though there were so good ideas in yesterdays blog at http://www.texaschicksblogsandpics.com.

Taking photos of a large group can be difficult.  Taking photos of a very large group can be very stinkin’ difficult.

That’s what I was working with last Sunday.  My church has 4 services each Sunday, but we consolidate those services into 1 several times a year.  On this particular Sunday, most people wear red – it makes for a beautiful service and a beautiful photo!

The photo turned out pretty well, I think, and I learned a lot too.  I am writing this post to help those of you who need to take photos like this, but also to help me remember what I should do differently next time!

Top Tips for Taking Photos of a Very Large Group

  • Use your widest lens – I used my 24-70 at 24mm.
  • Use a small aperture, f/7.1 or smaller.  You’ll also want as short a shutter speed as you can manage to minimize blur.  I took the above shot at f/7.1, 1/100 and ISO 12,800.  I actually wanted to shoot at f/11, but the lighting conditions just wouldn’t allow for that.  In this particular photo, the faces are so small in proportion to the whole that you can’t tell whether they are tack sharp or not, luckily!
  • Stand on a ladder and aim down.  This helps capture folks in the back of the group.  I was standing on a chair here and wasn’t quite high enough.
  • To arrange people,  start with everyone seated, if possible.  Quiet them, and share the plan.  I can think of two good options for your plan.
  • Option 1:  Show the group the boundaries of the photo and tell them to get inside those boundaries.  This might cause a stampede!
  • Option 2:  Divide the large group into smaller groups, and assign a leader to each.  Next time I do this, I will follow the sections of pews in our church.  There are 4 sections.  I will assign 4 leaders and give each leader a specific area to lead their group to.  Group 1, for example, goes to the choir stalls.  Group 2 is in front of the altar.  Group 3 is to the left of the altar and group 4 to the right.
  • If you have music, use it!  Our pianist was playing “We Are Marching in the Light of God” as people walked to their spots and they sang as they walked.  It’s a song that the entire group knows (no hymnals required), and it’s got a good, catchy dance/march beat.  It was almost like people were congo-ing to their places, and it gave them something to do while everyone else was still falling into place.  I’m sure that most cultures/religions have march tunes, and there are plenty of non-religious ones also.
  • The photo is particularly impressive if your subjects match in some way – t shirts representing the group, for example.
  • As people are getting settled in their spots, remind them that if they can’t see your lens, they won’t be in the photo.
  • If you have an assistant, don’t forget to stick them in the photo at the last minute.  I was standing in a chair and someone stood next to me to make sure I didn’t fall off it!  I feel so bad that I didn’t make him hop in the photo once I was stable!
  • Ixnay on the alloons-bay.  (No balloons, banners or anything else that might hide a face!)
  • When it’s time to take the photo, tell everyone to point their faces at your camera and close their eyes.  On the count of three, they will open their eyes and smile, and you will shoot away.  This helps minimize the number of closed eyes in the photo.
  • Take separate photos of both the left and right edges of the photo in case you cut off a face from the edge and need to to Photoshop it back in.  I didn’t do that with this photo, obviously.
  • And no, I didn’t swap any heads from photo to photo.  You could make yourself crazy doing this with so many people!
  • Prepare your answer ahead of time for the “can you just take a quick photo of me & my great aunt Millie that I haven’t seen in 13 years” questions.  With groups this large, someone will ask!  And whether your answer is yes or no, be prepared to tell them that you can’t talk until after the group shot is over.
  • VERY IMPORTANT: If someone hands you a microphone in the middle of this process because you’ve been yelling at the top of your lungs, don’t forget to turn down your voice before yelling, I mean speaking, into the microphone. Yes, I learned that one from experience.

So, these are my top tips for taking photos of very large groups.  What have I left out?  I know some of you guys have experience in this area also!

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Life Lessons in Photography

I was photography a child’s birthday party when my f/stop started reading 00 though everything else appeared normal other than the AF indicators had disappeared. As I was trying to figure out what was wrong and continue to capture the moments – after all this it was a paid job and my camera was still working - suddenly my lens fell off. Yes my lens was damage but I did have a back up lens so I could finish the shoot.

Life Lesson 1: f/stop stops working and/or problems with auto focus check to make sure your lens in on correctly.

Life Lesson 2: no matter how big or small the job is carry back up equipment. I almost did not bring the extra lens but added it at the last minute and I am sure happy I did. I almost never need the back up equipment but it sure is nice when I do need it.

Life Lesson 3: Know what your insurance covers. This may not be covered by my insurance. You know I will be checking to get insurance for damage from dropping, falling, etc to repair or replace it. This is the most likely time I would need insurance for my camera and I can not believe I did not notice that it was not covered.

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April’s Photo Assignment: SPRING

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Improve Your Photography: Join An Art Club / Group

It is important to continually hone your photography skills. By joining a group you will meet people that have different knowledge and skills than yourself so pick their brain. You will enjoy the camaraderie of other photographers and build a network of photography friends. You will have invaluable feedback about your work and be able to show off your best work to people who appreciate it. Some groups get together to go shooting but even if they don’t you will connect with others that you can get together with to go shooting. It will help you stay motivated to shoot more and maybe even get serious about photography. You will be inspired. Some have newsletters and keep you informed of upcoming photography events.

Below are some links to find one that fits you:

http://www.valleywestphotographyclub.org

http://www.s4c-photo.org

http://www.clickersandflickers.com

http://www.meetup.com

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Backyard Wildlife Photography

I have setup my yard to do wildlife photography. Right now I am focused on photographing  hummingbirds.

The setup

I have a branch clamped on to the hummingbird feeder pole. I have my camera on manual focus zoomed in on the branch. Then I sit and wait and wait and wait until a bird lands on the branch. I am also playing with adding in just a little flash. I am sitting in my house shooting through the window.

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The Photos

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Photo in Exhibit

BonnieMcdermott_print_IMG--11_3eMy photo City Lake was chosen out of 1301 entries from 20 countries for the NORTH VALLEY ART LEAGUE 2013 INTERNATIONAL JURIED PHOTOGRAPHY SHOW Photography:   The Full Spectrum. Only 80 entries were chosen to be displayed at the Carter House Gallery, Caldwell Park, 48 Quartz Hill Road, Redding, CA 96003. The show runs from April 30 to June 1, 2013. The Reception and awards are Saturday, May 4, 6 to 8 pm. Also my photo will be presented on the NVAL website at www.nval.org.  The online gallery will be published starting Saturday, May 1, and will remain online for several years.

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April Photo Classes and Trips

Logo for classes with photos4Educational Programs

1. Shoot Like A Pro Course:  Lessons are designed for DSLR users. NO EXPERIENCE NEEDED!

2. Intro to photography classes: If you don’t want to take the whole Shoot Like A Pro Course you can take just the classes you want.  Also if you want to pay as you go or spread the course out over a few months this is a good option for you.

3. Skill Targeting Classes further hone your skills in various areas of photography and subjects. Class length varies. BASIC KNOWLEDGE NEEDED!

4. Photo Safari Trips are designed to get you in the field practicing, sharpening your skills and spending time with other photographers. Both the P-N-S and SLR users are welcome unless otherwise stated. Bonnie is there to guide, give ideas & help. BASIC KNOWLEDGE IS HELPFUL!

5. Photo Lab time is set up with individual students to learn and/or have access to photo processing software – Lightroom and Photoshop. Students come with images they want to enhance.

 “Shoot Like A Pro” Photo Course: 

Saturday Track

April 13: Lesson 1 Intro to Key Concepts – ISO, Shutter Speed, Aperture, & more at 9AM to 12AM
Location: O’Melveny Park, 17300 Sesnon Blvd., Granada Hills

April 20: Lesson 2 Intro to Landscapes, Portraits & Lighting at 9AM to 12AM
Location: Saint Susana Train Depot & Museum 6503 Katherine Rd, Simi Valley

May 11: Lesson 3 Intro to Action Photography at 7AM to 10PM
Location: Lake Balboa 6300 Balboa Blvd, Encino

May 25: Lesson 4 Intro to Low Light, Flash, Controlling Light & Night Photography at 6PM to 9PM
Location: Top of Topanga Overlook 3400 N. Topanga Canyon Blvd., Woodland Hills

*Times or days not good for you? The course and classes can be set up on an individual bases.

Intro to Photography Classes
Take just a class or two or pay as you go of the “Shoot Like A Pro” course

 *You need the knowledge from the first class or you will be lost in the other classes. Lessons 2-4 can be taken in any order. Point-and-Shoot and photo classes for kids can be arranged on an individual bases.

 

Photo Safari Trip: Eastern Sierras  

April 27 & 28, 2013: On this trip we will go through the entire process of capturing a great image from planning the shoot to the final product. When we are out shooting we will work on not only getting some great shots using framing, composition, and camera settings but we will focus on visualizing the final image. We will spend some time going through our shots to learn what we did right, how to improve our work, and what we could have done differently. We will take an image or two and process it in Lightroom and/or Photoshop.

Lab

Capturing the image is only part of photography to really make your images pop you need to learn how to process them. In the lab you will learn Lightroom and Photoshop. Lab time is set up on an individual bases and designed to help you process your photos. It is set up for those who know nothing to those that just need a place to work. Also, you can print your work.

How to Register For Classes

Email Bonnie at (Enable Javascript to see the email address) with your name and the class(s) you are interested in taking. Please feel free to email or call 818-362-1937 with questions.

 

 

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New Website

I have a new website just for my fine art photography. Hope you can take a little time to check it out http://bonniemcdermott-fineartphotos.com 

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Lightroom or Photoshop

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Processed in Adobe Camera Raw

For the last few years I would choose Lightroom over Photoshop most of the time to process my RAW images. Today I learned how to use Adobe Camera Raw while watching a Moose Peterson video on http://kelbytraining.com. Lightroom may not be my go to program any longer at least for landscapes.  I really like the speed and the results.  I was not going to do anything with image but it did turn out nice using Photoshop.

 

 

 

Bonnie McDermottt Photography
818-362-1937
(Enable Javascript to see the email address)

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Your Photos Unique Perspective

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City Lake – Urban Nature Series

No matter what kind of camera you are using from a cell phone to the top of the line SLR you what to find your unique perceptive that captures your experience, voice, mood and the essence of the subject. Don’t do what most people do and just take the photo from pedestrian level – eye level while standing with out any thought. Think about what you like about it, how can you best capture it, and do you need to add or take away anything. What if you got lower, higher, more to the left or right? Are you photographing the best side? What if you made it darker or lighter? What needs to be done in post? Should it be B&W or aged? Will it need to be a HDR image. Maybe a panoramic would best fit what you want to communicate in the photo.  In City Lake I wanted a large depth of field. I wanted it to be peaceful and dreamy. I knew I would do a lot of post processing to get the photo to have my unique perspective.

Bonnie McDermott Photography
818-362-1937
(Enable Javascript to see the email address)

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